Ench By Sew-37: Savage Beauty of Alexander McQueen (Halloween Style)

 

 October is a month when many of us in the Western Hemisphere get in touch with our own emotions and comfort dealing with

mortality. Folks in my neck of the woods celebrate Dia de Los Muertos – Day of the Dead. Dia de Los Muertos is a day for celebrating ritual death tradition- engaging in crafts, creating and eating special foods, and putting out images – colorful, beautiful, and also macabre – that may touch on a connection with departed family members.

Listen directly to this audio/podcast on the web by clicking on this link OR.... to download the show from iTunes Click on this link to iTunes  , 

In our neighborhood we put out beautiful pumpkins, scary dancing skeletons and bright lights. Then we celebrate our connection to another world, by welcoming in the trick or treaters- be they costumed beautifully, colorfully, or gruesomely - by handing out free Halloween candy.

Fashion designer Alexander McQueen focused on designing beautifully romantic, avent garde fashion. He also had a strong interest in the macabre. His masters fashion exhibit “Jack the Ripper Stalks His Victims”, was a hint that this emerging designer was not going to be run-of-the-mill when it came to setting his artistic tone. Other chilling exhibits followed. “Highland Rape” and “The Widows of Culloden” , among others, carried McQueen’s historically inspired fashion artistry farther into the dark side of the human soul.

Morose? Yes – often- but his work was also drop dead gorgeous. Many of McQueens materials, embellishments design lines, colors, technology and elements inspire my arty-romantic sewing nature, even as I am frightened by other aspects of his work.

As you accompany me in the show, I’ll share the beautiful, and the colorful as well as the scary.  Because that’s what this time of year is all about, where I live.

Antique-Retro Threads: Plum-Purple Pocket Dress - Mid Twentieth Century

   

 I have  been thinking about adding embellishments to basic patterns lately, as I've been working on creating a rather

challenging embellishment on the straight skirt I've been sewing, using a pattern I created from my sloper. I haven't blogged about that project yet, other than a posting describing how I created the pattern.  

My own embellishment work got me thinking about this plum-purple frock,  that caught my eye at  the exhibit From Rationing to Rationing at the Museum of Vancouver. I saw it on our visit to Vancouver Canada in the fall of 2014. Yup, that's the visit, for which, I created my audio show  Embellishment Via Vancouver B.C.

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Pensamientos/Thoughts for this plum-purple pocket dress...

Fashion doesn't necessarily move as fast in real life as it does on the pages of a magazine. I recall dresses from my own childhood, in the 1960's, that harked back to many of the design elements in this dress, which is probably an end-of-the war, or just post-war creation.
* The fitted bodice is very mid-twentieth century
* Dainty collars added a popular innocent look
* No-button buttons were a simple embellishment many home sewers added. Buttons were often recycled from worn-out garments, so sewists had them around
* Short puffed sleeves stayed in style for several decades, certainly through the seventies
* Yokes also stayed popular through the late seventies
* Lots of pretty edging and trims like these, served up on plain fabric backgrounds,  are really reminiscent of the mid-century, before the mid-sixties, when dresses got much shorter and styles became all about crazy prints. Sewing up prints was in vogue, because printed fabrics were suddenly much more affordable and available.

And what about that pocket!

I created a similar pocket on my favorite black velvet bath robe, a few years back, by angling out the sides of a rounded pocket pattern. This one looks even more full. I must try fooling around with a pocket pattern to get a similar effect.

The pocket also  dips down in a heart shape in the center. And what about that beautiful embroidered velvet trim! It really tops off the pocket nicely.

* Lots of detail on the yoke was again very popular. It works because of the plain-colored background, even this peach colored lace can be over-embellished. I think that trim worked with ribbon is called insertion.
* Dark colored velvet bows at the neckline have a very mid-twentieth-century look as well. Doris Day often wore bows like this in her movies, especially black ones. Velvet bows were also popular as hair adornments. That was a signature style for Rosemarie in the Dick Van Dyke show, of course. Well into the sixties we could buy velvet bows on hair clips at the 5 and 10 cent store. I guess that would be the 5 and 10 dollar store now!

Reflecting on styles that affected fashions from my childhood, and considering embellishment elements that still work today - That's the kind of thing that keeps me ...

Enchanted By Sewing!

Ench By Sew-31: Historical Bathing Beauties

The April Enchanted By Sewing, Episode 31 Audio Show is Up !

Option I) Listen to the Audio right on the web by clicking on this link - No need to download 

~ OR ~

Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Bathing and swim wear has certainly changed from the cover-em-up days!

 Have you ever sewn your own swim or bathing suit? I created a couple of bikinis way, way back in high school, but since then, frankly, I’ve been happier to buy my suits. I do however often stop off at various sewing blogs to sample bathing fashion creations that other sewists have created, and daydream a little at trying my hand at another suit one day.

I also get a kick out of hearing and reading about how bathing suits have changed over time, and thinking about what a shock people must have had to suddenly start seeing others, especially women, revealing so much of their flesh on beaches! The big changes in swim suit styling around the 1920’s seem to have been about the time when the  sport changed from ‘bathing’ to ‘swimming’ in the English speaking world. It wasn’t enough just to immerse ourselves in water outside, as we did indoors anymore. Now more people wanted to get some exercise when they went into a pool, river or ocean.

This month I’m sharing a walk around an historical bathing suit exhibit I saw at the Vancouver Maritime Museum in the fall of 2014. Won’t you let me know if this show gets you in the mood to sew your own modern day or historically inspired bathing or swimming suit, by posting below?

Babes & Bathers: History of the Swimsuit
http://vancouvermaritimemuseum.com/press/babes-bathers-exhibit-opens-maritime-museum.

Here is the promotion for the exhibit, from the web link at the museum. Please note that the show is no longer running.
‘
"In a city surrounded by water, swimsuits have always been an essential part of our wardrobe as Vancouverites. From swimming costumes to bikinis, bathing suit styles have fluctuated from the modest to the more revealing, all in a desire to make us fashionable by the water’s edge. Drawing on the private collections of celebrated fashion historian Ivan Sayers, you can now see the modest suits, revealing bikinis, and sometimes outrageous costumes that have been spotted on Vancouver beaches since the 1890s. "  http://www.vancouvermaritimemuseum.com/

Even a Stopped Clock Shows The Right Time Twice a Day (Cut-Fold-Make your own Stopped Clock)

PLEASE click on this clock project picture to bring up the fully detailed

print'able migonette clock

I was inspired to create this migonette clock after my friend Marilyn and I went to see the Cartier exhibit at the Legion of Honor in San Francisco. Though we enjoyed taking in the wealth (no kidding!) of glorious and exotic luxury items on display, after a while we both felt a little jaded. It's an odd feeling to think of such a concentration of money being in the hands of such a small group of people.

My favorite items were not the lavish necklaces and opulent rings. They were the clocks. I was particularly struck by a collection of tiny migonette clocks all made, of course, from precious gems and layers of pricey stone. One particular gem-of-a-clock was sheeted in blue and white stripes.

It doesn't really matter to me whether a clock is made from alabaster and pearls, or resin and simple beads. With their obvious time portal abilities, I just like timepieces. So I designed and created my own blue and white striped masterpiece from card stock, using the box-outline template that Victoria magazine artist-in-residence Olivia Kanaley, used to create little fall-themed boxes in the October issue of Victoria. Olivia kindly granted me permission to use her box-shaped template in this project and make it available to others on this page.

Keeping in mind, as the poet says, that 'even a stopped clock shows the right time twice a day' (a lot of people seem to be in disagreement about which poet said that), I hope you enjoy constructing your own stopped migonette clock. Feel free to use it either as a time portal or a little container for treats, for you or a friend.

My newly constructed migonette clock is sitting temptingly on my desk. That Henry Purcell piano piece has been rather challenging. I'm thinking that a quick trip back in time, for a Baroque era music lesson with the maestro is in order.

The Simple Romantic recommends that, after your click on the picture to bring up the full view, that you then print this project on a piece of card stock paper. You can get card stock at an office supply store in packages, or often you can buy individual sheets at a large photocopy store