Sleeveless to Sleeved - Pattern Work - M6076

The purple line shows the cutting lines I used for altering the original pattern to be  sleeveless
The red lines are my new adjustment lines

Earlier this fall, I first began working with the princess-seamed pattern M6076. The first result was my sleeveless Western Winds Shirt. I really liked the fit, fabric and buttons on this shirt and I wore it quite a lot.  The pattern doesn't actually come in a sleeveless version - I raised the underarm point and then graded the top of the underarm seam to create a well fitting sleeveless version.

My next goal is to create a sleeved version. So far (Jasper is encouraging slow sewing!)  To date, I've just worked on one of the four pattern pieces - the Side Front. 

Once I get all four pattern pieces reworked, and since I made alterations right on Western Winds, I'll probably make another sleeveless version just to test this version of the pattern. Also I have enough clover green linen left from my Irish Laurel dress to make it!

Then I'll be testing the sleeved version in muslin. The main changes I'm making are

1) Taking the end-of-shoulder point back out about 1"

2) Taking the underarm point out 1"

3) Dropping the underarm seam point 1.5"

I went back to Western Winds and noted where I actually sewed my princess-seams
Then I added a new seam allowance, using a Clover tracing wheel
, 1" out from those seams. 

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

   ]

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

Modifications Retard Progress! (Pearly Wannabe Jacket)

The Pearly-Wannabe jacket, I've been blogging about recently, was a challenging project. There as so much I was trying to do. Some ideas worked, some didn't.

I was reminded of a line from a WWII British novel by D. E. Stevenson (Listening Valley). During a card game ( no video games or pre-recorded movies for entertainment in those days folks!), one of the young officers says, "No more mods (modifications). Mods retard progress!"

Of course, I'd created all my mods up front. Looking back on the project I'm guessing I would have been safer just doing button on/off sleeves on my original pattern. My mods definitely got in the way of speedy sewing. But.... well it was a lot of fun imagining the results.

One of the mods I had planned was to bind my hem edge with bias trim made from the flowered home dec fabric. Sounds cute, don't you think?

In practice what happened was that, even when I weighted down the bias trimmed two layers of fleece with leaded drapery cord, I still just ended up with a great, heavy, bunchy hem. But I persevered. I hand stitched. I kept re-laying it out and stitching it again. I made sure things lined up. Then I re-pinned and did it again. I added vents to make it hang better.

And no matter what I did, that hem just looked bunchy, heavy and yucky.

I heard myself saying, Well gee, I've put so much time into getting this hem right. I've got to get this bias trim to work out. And suddenly I remembered a conversation from my very young adulthood.

A work mate was explaining why she was sticking with her lousy boyfriend, Well, see, Jimmy and I have been together for five years.

Yeah, you know what I did then. I unpicked that bias trim and used it to simply turn up the hem behind the bottom edge of the jacket. (I stitched in the heavy drapery cording as well, to make a nice stable hemline)

No bad boyfriend hems in my wardrobe!

El Debut: My Pearly-Wannabe Jacket

Yes, I double-checked 'el debut' really is the Spanish version of the word we often think of as French for 'presentation'

I have been working on this jacket for probably six weeks now. I can't even begin to catalog what went into the creation and imagination of this new adjunct to my wardrobe, though I plan to highlight some of the sewing techniques and items I used in this blog. Several of them were new to me and I plan to use and try them again in less complex projects.

Nor can I say that this garment is absolutely finished. Note the piece of floral binding still hanging down from one of the faux pocket flaps in front. And I keep finding other places I want to add buttons. I don't even dare show you the back! We are not talking a mainstream piece of clothing here, yet it's definitely something I plan to wear in my everyday world.

This Pearly-Wannabe garment (you know about the Pearly's right?) has button on-off sleeves, so that it can live life as either a vest or a jacket. I'm hoping that will make it a useful travel garment.

I'll share more on this creation over time. The base pattern is one I've sewn many times in the past, but altered tremendously for this garment.

After working so long on the Pearly-Wannabe, I'm craving some plain, basic sewing time. I'm already working on a pink flowered shirt (that's where the binding that's going on the faux pocket flap and the lining for the button on/off sleeve wings came from) and have a pair of very simple black linen cropped pants cut out as well.

This jacket, no matter how much she wants to be one, doesn't really qualify as a Pearly. For one thing, all the Pearly clothes I've seen, are solid black, then trimmed with elaborate patterns of buttons. Also the Pearly roles are inherited. And they're British!

What can I say? This gal's a California Pearly!

~ ~ ~

For more on Pearly's

http://www.pearlysociety.co.uk/Main%20page.html