Sewing Summer Essentials - Singing the Blues Tee

My newly created Singing the Blues Tee Creation

I'll work for you.
I'll slave for you.
I'll be a begger, or a knave for you.
If that isn't love, it will have to do.
Until the real thing comes along!

Billie Holiday knew how to sing the blues! https://en.wikipedia.org/wiki/Billie_Holiday

 I'm continuing to work with the tee shirt pattern I drafted from the moulage I created in my French Pattern Drafting class. Who can't use another comfortable, pretty, feel good tee over the summer?

  

Sewing summer essentials keeps me from 

feeling blue,

 even when I find myself singing them.

Enchanted By Sewing Audio Podcast - Episode 32 - Parlez Vous French Pattern Drafting ? http://www.enchantedbysewing.blogspot.com/2015/05/ench-by-sew-32-parlez-vous-french.html 

My Damson Plum Private Eye Tee, was the first shirt I made from my tee pattern - http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html 

Ench By Sew-33:Back in Town

Back in Town - A Summer State of Sewing 

Victoria and Albert had their own ideas about what made for a happy couples vacation in the U.K., Just like we do

Listening Option 1: Download from iTunes
Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Listening Option 2: Direct Download/Listen on the Web
 LISTEN RIGHT ON THE WEB (while sewing perhaps?)  http://traffic.libsyn.com/enchantedbysewing/CastFINALBackInTownSummerJune2015.mp3

~ ~ ~

Hey!  If you could sew only one garment this summer season, what would it be? 

- Answer the Poll here 

- Post your thoughts below

 or

 -Email me at EnchantedBySewing@Gmail.com

~ ~ ~

After three weeks vacation in England and Scotland, I'm not yet caught up and engaged in my sewing projects. I am, however, reflecting on historical and travel sewing inspiration from my trip, putting some good hard thought into planning sewing projects, and continuing to learn about working on my sewing pattern skills, using my sloper and moulage patterns.

Quick Fashion: When it comes to a summer state of sewing sometimes I just want to zip zap up 3 tees in a tried and true pattern and never mind about careful seam finishes or hems – maybe a deconstructed neckline or too. Other times I want to focus on slow careful pattern work, practice my sewing techniques and create a garment that I expect to see me through a number of seasons.

Slow Fashion: I also like to put time into developing patterns with personally crafted fit, carefully finished seams and well-thought techniques.

Planned Sewing: Other times I need to step back from sewing and give my fabric and pattern inventory and choice of sewing projects a good solid overhaul.

This Month:
1) Field trip to England and Scotland 
(7 days London, 5 days in Lake District (2 travel/3 self-guided walking holiday, 2+ days Edinburgh)

In and amongst our activities,  I encountered textile and sewing information and inspiration.

For travel to use with audio books and in flight movies, and tired evenings, I took along hand embroidery, and practiced stitches on a piece of natural linen scrap. I took this lovely little book,
Embroidered & Embellished: 85 Stitches Using Thread, Floss, Ribbon, Beads & More • Step-by-Step Visual Guide along on my iPad.

                                                 

Many Wonderful Large London Museums are free: Victoria and Albert (free) (Fee for special Alexander McQueen exhibit – Savage Beauty) 

~ ~ ~

Laurel Loves London  (2013) http://enchantedbysewing.blogspot.com/2013/06/ench-by-sew-009-laurel-loves-london.html
A Tour of the Victoria and Albert Fashion Gallery with Laurel (2013)  http://enchantedbysewing.blogspot.com/2013/07/ench-by-sew-010-v-fashion-gallery-tour.html

 ~ ~ ~

Imperial War Museum (free) – Fashion on the Ration 1940s Street Style exhibit http://www.iwm.org.uk/exhibitions/iwm-london/fashion-on-the-ration

Museum of London (free)

The Queens Gallery (Moderate Cost - worth it) – painting paradise became scavenger hunt for pooches (get your ticket stamped for free return for a year)

Conversation Starters - Greeting friendly pooches and their people.
On our treks between museums and scenic places, we enjoyed greenery, statuary and ornamental waters, not to mention horses, dogs, people and kids, in the big parks Holland Park, Kensington Gardens,  Regents Park, St James Park.

Mid Week break for More Green with Country Feel, easy access from London
Osterly Park (free estate/park area and/or paid access
to Neoclassical Robert Adam (Regency Era Architect/Designer) historic house and formal gardens) A good mid-week break - 30 minutes from Kensington by train -
https://en.wikipedia.org/wiki/Osterley_Park
Robert Adam ‘one of the most fashionable architects in Eng’ also designed furniture to match the rooms at Osterly, which they still have!

A Place Like Home - Agency we've used repeatedly to rent flats in London

Mickeldore - Self-guided walking holidays in England. They setup up the B&B, schlep your luggage and give you maps and directions. Well worth it. We have used for two or our three walking trips in the U.K. (They don't have a Cornwall trip or we would have used them for all 3!) http://www.mickledore.co.uk/

Wool  - Lake District - We stayed at Askhill Farm B&B (http://www.loweswatercam.co.uk/Askhill_Farm_Stay.htm ) There, I learned a little something about current challenges in English wool market chatting with my hosts

Tartan Weaving Mill: Edinburgh On the Royal Mile, just down from The Castle Tartans /Plaids Weaving ( http://www.royal-mile.com/interest/tartanweavingmill.html) Sure, it's primarily a gift store, but there are tidbits for the fabric savy on more than one floor. Working looms.

Jaquard Loom and other Looms are on Display - National Museum of Scotland (Wonderful Museum) Extensive Exhibit area on textiles


2) Technicos: Fitted Tee Shirt – Sloper/Moulage to Pattern, Nibbled that Tee

Damson Plumm Private Eye Tee Shirt - Creating Pattern from Moulage
http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html

3) Purging – Pains and Pleasures - Please post your own thoughts

Is it worth it? You tell me
http://meencantacoser.blogspot.com/2015/06/purging-fabricpatternssewing-books.html

Ench By Sew-32: Parlez Vous French Pattern Drafting?

The May Enchanted By Sewing, Episode 32 Audio Show is Up ! 

Listening Option 1: Download from iTunes
Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

Listening Option 2: Direct Download/Listen on the Web

http://traffic.libsyn.com/enchantedbysewing/CastFINALParlezVousFrenchPatternDrafting.mp3

I first signed up for Lynda Maynards' French Pattern Drafting Class to help me improve my fit and alteration of commercial patterns and was surprised to find that Lynda's class opened my eyes to the idea of drafting my own patterns - an aspect of sewing I’d never expected I’d get involved with, and frankly considered beyond my skills.

Studying with a teacher like Lynda and being inspired to try new things – that’s the kind of thing that keeps me, enchanted by sewing!

1) Pensamientos Primeros – The Art of French Pattern Drafting

My Pattern Work Postings

Early Days in Pattern Drafting Class - Includes Kenneth King Link http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

More from Class http://meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html 
and

http://meencantacoser.blogspot.com/2015/03/fitting-in-sleeve-sloper-pattern-work.html

 Using My Sloper and Moulage to Draft Patterns

http://meencantacoser.blogspot.com/2015/04/pattern-workparlez-vous-tee-shirt.html

http://meencantacoser.blogspot.com/2015/04/damson-plumm-private-eye-nibbled-that.html

     Parlez Vous Flared Skirt? http://meencantacoser.blogspot.com/2015/04/pattern-work-parlez-vous-flared-skirt.html
 

Pattern Work on Pinterest:Links to many pattern drafting and design resources  https://www.pinterest.com/lrshimer/0-sewing-pattern-work/

2) Technicos  - On Wearing Ease Going from a Moulage to a Sloper and Back Again

http://meencantacoser.blogspot.com/2015/05/parlez-vous-wearing-ease-moulage-to.html

3) Pensamientos Finales – My sloper...A garment for any occasion?
 

Parlez Vous Wearing Ease - Moulage to Sloper and Back Again

                        

                     
Moulage (Blue Dots) To Sloper (Purple Lines)

And Back Again

	1	2	3	4	5	6	7
Back	Drop 1/8”	-> shoulder ¼”	Raise 1/8” + -> ¼”	Out ½”	Out 5/8”	Out 3/8 – ½”	Out ½”
Front	Drop 1/2”	-> shoulder ¼”	Raise 1/8” + -> ¼”	Out 3/8”	Out 5/8”	Out 3/8 – ½”	Out ½”

I used my moulage pattern (blue dots) I created from Lynda Maynard's French Pattern Drafting class to draft my Damson Plumm Private Eye tee shirt. I used my sloper pattern (purple lines) to create the straight skirt pattern I'm using for a denim skirt I'm currently sewing.

1 (CF/CB)     

 2 (shoulder point –neck)       

3 (shoulder point – armhole side)       

 4 (midway armhole curve)       

5 (end of armhole below arm)     

 6 (armhole point to waist)    

7 (waist to full hip)

FLARED Skirt - Parlez Vous French Pattern Drafting? Moulage Class Pay Off

   
The second of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a flared skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

* A - In the beginning, it's like what we did drafting the straight skirt * 

 First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me. 

* B - Now... the pattern changes from what we did for the straight skirt *

Fourth,  
i. Cut down one of the dart legs (red dots)
ii. Cut UP from the hemline to just below where you cut the dart leg, leaving a hinge point there

 

                                                                          

Fifth,  Move the cut dart leg over beneath or on top of the other dart leg. This opens up an area in the skirt. You may choose to leave a bit of the dart in place, if you want less of a flare. Tape your dart legs together.

 Sixth, i. Cut a piece of tissue that would fill in behind the newly opened part of the skirt pattern with paper. This is the insertion. Then add another 1/4" to the insertion.

ii. Create an extension that is the same size as the original insertion.  Tape your insertion and extension onto the back of your pattern.

Seventh - Make a nice new pattern piece with no tape. You may want to go ahead and add seam allowances to the new pattern. Since I draft my patterns from my sloper, it doesn't have seam allowances already. A 1" seam allowance is great, the first time you draft a pattern. It gives you a lot of wiggle room. 

Don't forget to date your new pattern pieces. You'll be glad you did.

Damson Plumm Private Eye - Nibbled That Tee

Damson Plumm Private Eye is, as you might imagine, inspired by bounty hunter Stephanie Plum

Remember when I blogged about Lynda Maynard's French Pattern Drafting class starting to pay off? Yes, I am indeed mighty happy with this plum purple tee shirt I created from a pattern I drafted myself. It was based on nibbling away at  the moulage fitting pattern that came out of Lynda's class. I also really like the royal plum-purple rib knit that I used to make the tee. Can you believe I found this material in my fabric inventory? ( Fabric inventory sounds so much better than fabric stash.)

What did I learn while creating this tee? 1) Don't fit the front and back first and then add the sleeve. I thought this top fit so perfectly, after mocking up just the front and back, that I sewed over the basting stitches in the side seams and then went on to
a) Redraft the sleeve pattern- making it much narrower
b) Cut out the reduced size sleeve
c) Sew those nice narrow sleeves in.

Uh oh....Taking in those side seams would have been fine, if I'd wanted a sleeveless tee, but I didn't.

Hardy har har - you should have seen my arms looking like sausages, unable to move. And we all know how fun it is to pick stitches out of knit fabric!
2) So, good thing, I had already learned to  ... cut super wide seam allowances when I'm playing with new patterns I draft myself. Thank goodness I had made my seam allowances 1 and 1/4 inches wide. I wouldn't have had enough fabric to rework the underarm seams on my sleeves otherwise- because of course I'd redrafted the sleeve to be so much narrower, after I'd fitted the front and back together, taking in the side seam allowances by quite a lot (smaller than the original moulage indicated).
3) Even though I wasn't in the mood, I measured all the changes I made on this tee and prepped a complete new pattern, all ready to try out on another tee project. Because another thing I've learned is that I don't always remember what changes I made, and I can't always find the last garment I made from a pattern when I go to use it.

  ~ ~ ~

Damson Plum is, as you might imagine, inspired by bounty hunter Stephanie Plum. Stephanie is younger than me, even funnier than me and has a grandmother who drives a hard-working gal crazy, but I still identify with her.

Damson Plumm Private Eye is inspired by bounty hunter Stephanie Plum.

Way back when, I created a Damson Plumm Private Eye label for my home made plum jam (using my home grown damson plums). And now, thanks to my new pattern drafting skills, I've drafted the pattern for, and sewn, my own Damson Plum Private Eye tee shirt. I'm sure it's the plum-purple that Damson always wears, that helps her crack those tough cases.

STRAIGHT SKIRT: Parlez Vous French Pattern Drafting - Moulage Class Pay Off

                                                                
The first of three skirt drafts, I leaned about in the French Pattern Drafting/Moulage class I took from Lynda Maynard.

To create a straight skirt from a sloper. This example shows a back sloper. The changes are the same for both front and back.

First, trace a new copy of each sloper piece, back and front,  on your pattern paper of choice.

Second, Cut away above* the Waist Balance Line

*Leave some seam allowance above that waist balance line. You may want to face the skirt waist or you may want to add a waistband. Better to leave a little extra for now....

Third, Extend down 26"** from the Waist Balance Line at Center Front 

** 26" was suggested by Lynda, maybe a longer or shorter length works for you. Play around with your muslin version. I measured a knee length skirt I made last summer, and this length was about right for me.

Fourth, Extend out 3/4 of an inch from the side seam at the hem

And Finally grade back up from the extended hem to the full hem balance line. If you (instead) draw the side seam straight, the skirt will read as a pegged skirt and not a straight skirt line.

Pattern Work:Parlez Vous Tee Shirt? French Pattern Drafting Class Begins to Pay Off

Moulage Pattern - a fitted tee, Sloper - looser fit

I have  created a moulage, sloper and sloper sleeve patterns in Lynda Maynards "The Art of French Pattern Drafting" class at Cañada College.

Now all my time and effort look like they are beginning to pay off. Using my moulage pattern, I've begun work on a  pattern for a fitted tee shirt. This tee will be no-dart. We've learned to do that by the 'nibble-away' process. Here is an example of a classmates moulage back being nibbled away. Had she used her sloper pattern the tee shirt would have included more wearing ease, and been a little bit looser. 

The red nibble-away lines show where the fish eye and shoulder dart take-up is being removed from the far edge. In the case of the fish eye dart, you can see that the take-up is removed from the side seam. This creates a pattern that reflects the shape of the curves that a dart, necessary in wovens but not in a knit fabric.

I'm looking forward to showing off my first tee test garment, hoping to have the basic construction (without neckline band) done in time for class this coming week. Yes, I already have plans for several more!

                                                                          

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

   ]

Fitting in the Sleeve Sloper (Pattern Work)

First I made my moulage.

Then I made my sloper.

They looked a lot alike, so I only blogged about my moulage. Here are the most recent details I wrote about that Lynda Maynard class in this posting.

(http://www.meencantacoser.blogspot.com/2015/02/french-pattern-draftingmoulage-first.html)

We've been working on getting a sleeve to fit into our slopers for two classes now. And I'm continuing to work at that fit and pattern drafting task at home. 

This is not the most attractive garment I've ever sewn!
It's a sloper, which is the equivalent of my moulage plus wearing ease.
Yes, I know I've got too much ease in my sleeve at this point
After I made more change at home, and before I went back to creating
a new version of the pattern, I did the math -
The total distance around the sleeve stitching line for the
armscye/sleeve cap, should be 3/4 of an inch
larger than the distance for the front and back arm holes.

Can you see the work that went into my first shot at drafting a sleeve pattern?
I also write small to do lists on the pattern piece and use a lot of color coding and
 dating to remind myself of what I did in class versus at home, etc.
This is the follow on to the drafting block by the way.
I re-scooped the front, flattening it and giving it less curve, added to the height at
the top center to get the bicep balance line to come out parallel to the floor,
and also added 3/8 of an inch to both the long underarm seam lines.

After making all those changes, I definitely needed a new version of my pattern!
After I made this, I traced out a new sleeve to cut out and sew to try on the other side
of my muslin sloper.

Still To Do 

before class

Next - I'll be stay stitching my second muslin sleeve, cutting it out, basting the balance lines, completing the underarm seam line, and basting in the ease lines.

Then I need to go back to my sloper and alter my side seams to be 5/8 of an inch farther into the seam allowance. I have 1 plus inch seam allowances.

Must remember to note that change on my sloper pattern! Good thing I haven't cut out my most recent version of that pattern, so I can draw that in and use my eraser and still have a clean final working copy.

Entonces I 'll attach the sleeve to the other side of my sloper, making sure my front is attached to the front part of my sloper fit garment, of course!

At that point I'll check all the balance lines in the mirror and see if I need to alter any thing else obvious before I return to class next week. I included a slightly over 1" seam allowance when I drew the pattern markings on, so I can make some alterations.

I create a new version of all my patterns every week after class. That way I have a record of where I've been and what I've done. I can go back to a previous version too. Also it's just less confusing and it motivates me to write more notes on my patterns.

I also include my name, date, phone number and email (I've smudged those out in these photo)

on every single pattern piece and muslin garment. 

In sewing lab, everybody's stuff looks the same and it's a lot of work down the drain 

if I misplace anything.

~ ~ ~

It's not exciting or glamorous working on creating a perfect-fit-me garment, but it sure leads to a lot of daydreaming about what I'll work on once I have the patterns that result from this process.

And that's the kind of thing that keeps me ....

Enchanted by Sewing!

French Pattern Drafting/Moulage: First Muslin Test of Back and Front Blocks

I detailed what I'm learning about  in my Moulage/French Pattern Drafting class with Lynda, in this post http://meencantacoser.blogspot.com/2015/02/drafting-my-back-block-learning-pattern.html

I added a sort of modesty skirt below the full hip line
Other ladies wore leggings or just winged it in their
intimate garments

This week....I zipped myself carefully into the muslin test I created from my back and front blocks, for Moulage class. Uh oh, I sewed the zipper inside out! I thought Lynda Maynard wanted our seams and darts on the outside.

Guess who wasn't listening properly in class last time?

A buddy in class managed to get the zipper tab up for me.

Not too many changes, but I still need to make those few, and make a new muslin for next week. I'm in good company though. I think there were only one or two people who didn't need Lynda to tweak theirs.

How about those lips?
I had the goofiest look on my face
I kind of like these lips I borrowed!