Ench By Sew-39: Plaid tidings’ to you and all of your kin! Part 2 of Tartans and Plaids (Winter Holidays Mini-Cast)

Newly togged out Katie Rose is an Engel-Puppen doll

Click on this link in iTunes  to download the 39th episode of the Enchanted by Sewing Audio Podcast,  recorded in December of 2015. Or listen directly on the web by clicking on this link.

Plaid tidings’ to you and all of your kin! During the winter holidays, plaids and tartans look so festive. Dolls are the perfect plaid-sewing partners, because sewing for a doll, gives me the motivation to engage in some sample sewing. And at this time of year they remind me of  dollies, and doll clothes that were sewn for me, at this special time of year – like the mini wardrobe of Barbie clothes my aunt gracie sewed and sent me one winter holiday, as well as the red courderoy jumpers and dotted slip dresses, Mama made for our Chatty Kathy dolls, as well as for me and my sister Trisha in the winter I was 4 (with matching girl jumpers).

K.R's green plaid jumper is based on an
 American Girl free doll clothes pattern in "Mollie's Pretty Clothes"

The doll featured in this sewing project is Katie Rose. K.Rose is an Engel-Puppen doll. (Engel-Puppen doll link - has history of these dolls)

Sample sewing may not sound very exciting, but sewing an 18” (think American Girl sized) plaid doll’s dress gave me a chance to – in a very limited amount of time - practice my pattern cutting out skills for plaid fabric, as well as experiment with a new-to-me technique for improved  plaid matching

This  show is all about technicos/techniques.

My goals with this doll’s dress were to work on:
Primero/First)Careful layout of multiple princess-seamed bodice pieces - definitely less nerve racking for a doll, and gives me confidence to work on the red plaid princess-seamed shirt I’m muslin’ing - as well as the plaid nightshirt I’ll plan to be making soon for my husband.
Entonces/Then)I tried Fusible Thread to decrease slippage during sewing (a new-to-me technique for enhanced/ improved  plaid matching).  Also useful /good idea for sewing on patch pockets  

I used crafster to look for help regarding my challenges with fusible thread.
Response from ~T Read more: http://www.craftster.org/forum/index.php?topic=442125.0#ixzz3ufLODkuJ
https://www.byannie.com/shop/product/fusible-thread/

“She calls for low heat, so I am guessing you just had the iron too hot.

She also describes another technique for using it with aluminum foil as your pressing cloth..letting that cool and peeling it off, to create a design on fabric. Like a dimensional paint overlay technique?

You Craftsters always inspire me to hunt for new ideas   

I Goggled 'Fusible Thread Instruction' for this one. There are more on there as well.

~T”

I love using succulents all over the house during the festive season.
This simple arrangement provides the perfect place for Katie Rose to hang out.

American Girl Doll Clothes Patterns - Free http://www.agplaythings.com/AG%20Patterns/DollDressPatterns.html

More Plaid Web Resources

http://moviestarmakeover.com/category/classically-ladylike/

http://moviestarmakeover.com/category/myrna-loy/

http://www.pendleton-usa.com/thumbnail/Home/FABRIC/PLAIDS/1721/c/1828/pc/1816.uts

Ench By Sew-030: Hats Off to Downtown Abbey!

This show is created, produced and brought to you by Laurel Shimer.

Hats I made recently in Wayne Wichern's Hat Blocking Class

How to Find This Audio/Podcast?

Option I) Listen to the Audio right on the web by clicking on this link - No need to download 

~ OR ~

Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes

About the Show

The Enchanted by Sewing Podcast is, an extension of my regular sewing blog - Me Encanta Coser,  (http://www.meencantacoser.blogspot.com) which,  roughly translated means, Enchanted By Sewing

My blog is written in English. The name celebrates the historical and modern use of the beautiful Spanish Language in the San Francisco Bay Area of California, where I live.

This Month's Show - Hats Off to Downton Abbey!

In this month's Enchanted by Sewing show, I talk about the role of Downton Abbey played in inspiring  the hats I've been making. I also share what I've learned about how to make hats. 

Track 1) Pensamientos Primeros – Making Hats -  Inspired by Downton Abbey, and enabled by local milliner Wayne Wichern

Track 2) Technicos A summary of the Techniques I learned something about while making Hats with Wayne Wichern

Track 3) Pensamientos Finales – Pretty as a Picture Hat - Grandmother Lily’s Wedding  - The story of my Grandmother's wedding hat reminds me that it wasn't only wealthy women who enjoyed wearing beautiful hats. Women of every economic bracket have always enjoyed the magic of the perfect hat.

Downton Abbey Themes- Books and Videos
            


Show Track 1) Pensamientos Primeros – Making Hats -  Inspired by Downton Abbey - Enabled by local milliner, Wayne Wichern ( http://www.waynewichernmillinery.com) 

Why do I love to watch Downton Abbey over and over ?
1) The Romantic setting
2) The fantastic British trained actors
3) The Fashions - my favorite part of Downton Abbey.
The best part of the those fashions? -  Hats! 

So far I see I've linked to over 200
caps, hats and other millinery fashions
on Hats and Other Millinary in Pinterest

I've saved links for many of my favorite hats on my Pinterest board "Hats and Other Millinary". These pictures were great to take to Wayne's class, to give him an idea of what I wanted to  create.

Hey - Am I was the only sewist here who’s excited to find that the newest Cinderella, Lily James, is Downton Abbey’s Rose, and step sister Drusilla is Mrs. Paddmore’s side kick

dear little Daisy? According to the UK’s “Telegraph”, Daisy, aka Sohie McShera, does love the chance to reverse her Upstairs/Downstairs role with Lily, just as much as I’d imagined.

Planning, sewing, and talking about hats lead me to reflect on history associated with women in times past.

Going Beyond Downton Abbey - Flappers Author Judith Mackrell explores life beyond costume dramas, when it comes to celebrity idols of the Flapper era -  British aristocrats Lady Diana Manners and Nancy Cunard, Russian artist Tamara de Lempicka, and three Americans; African American dancer /actress Josephine Baker, Femme fatal, Literati – and Wife of F.Scott Fitzgerald, Zelda Fitzgerald, and Southern Belle turned actress, Tullulah Bankhead. These ladies climbed the ladder from lower or traditionally established life styles, to serve as new role models for women from Daisy to Lady Edith. When it came to these ladies' fears, challenges and dreams, Mackrell gets down to the nitty gritty. She lets everything hang out from the seamy side to the highlights of their lives. 

This Black Straw Cloche is one of three hats I made in Wayne's class 

Show Track 2) Technicos A summary of the techniques I learned something about while making Hats with Wayne Wichern

 

The Gibson Girl Personified the In-Look
for up-to-date professional women like
Grandmother Lily

Show Track 3) Pensamientos Finales – Pretty as a Picture Hat - Grandmother Lily’s Wedding  

In Grandmother Lily's time, picture hats were made popular by the "Gibson Girls" drawn by Charles Dana Gibson. These ladies personified the New Woman feminist movement with which my grandmother and great aunts identified.

Duchess Georgina's
marriage problems, should have
 been
a hint to her descendent
Princess Diana

Ladies have been wearing Picture Hats for several hundreds of years. Early versions were inspired by the Gainsborough Hats worn by Georgiana Spencer Cavendish, the Duchess of Devonshire, ancestress of Princess Diana.

Experimenting: Singleton Button Making - Learning Precision

Most of my recreation time right now is going into my Moulage/French Pattern Drafting class. I don't have a lot to blog about in that regards this week, because there's a lot of repetition in my homework. I'm working on creating a sloper this week, but it looks an awful lot like the moulage!

~ ~ ~

For a little fun between muslin sewing and pattern drafting, I've been playing around, learning to create Singleton Buttons.

These are my attempts at Singleton Buttons to date.

Since I'm not yet there when it comes to getting a clean, precise edge, I'm not yet concerning myself with creating the thread shanks with which I would fasten them to a garment.

Clockwise from top left
The button with more yellow flowers has a piece of thin fused quilt batting, cut the same size as the full pattern
The pink flower has no interfacing
The purple flower has a piece of paper, cut about the same dimensions as the metal ring

I've mentioned many times that I'm working on learning to be more precise.Playing with creating my own Singleton Buttons, looks like a good way to get some practice in. There's something about the way I need to learn to hold things and work with the needle when it comes to getting that precise edge I'm after.

My favorite so far, is the top left button. I used a thin piece of quilt batting in that one.

Next, I'll experiment with rings of a slightly larger diameter. I think that might make those tight, precise, edges more achievable.

~ Basic Techniques~

- I made a pattern circle, 2 and a half times the diameter of the metal ring.  I scored some welded metal rings at my local hardware store. I'm sure you could buy something at a fabric store that's actually intended for this purpose.

I've tried different kinds of inside bits.
In this attempt, I simply used a piece of paper.
That wouldn't actually wash well ,but I wanted to see how the edge worked.

 - Then I ran a basting stitch about 1/8 inch away from the edge of my circle, tightened it up, and stitched back and forth to cover the edges.

- The 'X' on the front of this button was basting stitches, to hold that piece of interfacing paper in place

- After I stitched the back closed, I stitched around the inside edge of the metal ring.

- At this point, in the future,  I'll stitch up a thread shank -  I'll be doing that once I'm happier with the way the buttons are starting to look.

Ench By Sew-023: Capping off Summer, The Tapestry Cap (Technicos/Techniques)

My latest cap creation is a faux-tapestry print

Hey! 

The latest Enchanted by Sewing Podcast has been published!

Listening Option I) You can listen to the show right on the web by clicking on this link

(http://traffic.libsyn.com/enchantedbysewing/CastFINALAug2014CappingOffSummerENCHANTEDbySEWING.mp3 )

~ OR ~

Listening Option II)  Click on this link to iTunes  to download this and other Enchanted by Sewing shows to your mobile device (iPhone, Android, etc.) free from iTunes 
( https://itunes.apple.com/us/podcast/enchanted-by-sewing/id566370325)

Did I miss any links mentioned in the show? If so, please post those links below and share them with everybody

Email- EnchantedBySewing@gmail.com

~ ~ ~

This show is created, produced and brought to you by me! - Laurel Shimer. THE Enchanted by Sewing PODCAST IS, An  EXTENSION OF my regular sewing blog - Me Encanta Coser, which,  roughly translated means, Enchanted By Sewing

My blog is written in English. The name celebrates the historical and modern use of the beautiful Spanish Language in the San Francisco Bay Area of California, where I live

* * *

I've gotten lots of use out of this sage green cap (and another blue one) that
I first made two years ago. Both caps match shorts, which I wear together.
I also wear the caps on their own with other things in my wardrobe.
Every one of my daily walks, includes a cap.
http://meencantacoser.blogspot.com/2012/09/the-lady-wears-shorts-part-2.html

I’ve worked on a couple of different sewing projects in August. Of the four I’ve worked on I’ve finished three - a wardrobe building elastic waist black denim skirt (like the blue one I finished in June and have been wearing so much), another semi-fitted sleeveless cotton blouse (like Amaryllis the subject of last months 'cast - I haven't post about this yet, but plan to soon) and a tapestry cap.

That cap is especially important to me. As you might have noticed in previous shows I am kind of a preacher when it comes to protecting our skin from the elements. I listened back to my shows from the last couple of months, and it seemed like I went into great detail in both ones about wearing my sun screen and a cap whenever I head out the door, whether for a walk or even a ride in the car.

I figured if it was so important to me, it was time to do an episode about the kind of skin protecting garment I’ve made a few times now, sharing the techniques and some of my inspiration.

  

1)         Pensamientos Primeros/First Thoughts

Why do I need to make my own caps and hats?

Wayne Wichern's Millinery is in the San Francisco Bay Area. I took my first millinery class at Cañada College, from Wayne. He has a lovely private studio where he conducts further workshops and open lab. He's a wonderful man and teacher .http://meencantacoser.blogspot.com/2013/09/matters-millinery-making-my-own-hats.html

 2)Technicos/Techniques  

-       

 How I create caps, based on the "Good Hat Day Hat (cap)" in the first One Yard Wonders Book.

3)         Pensamientos Finales/Final Thoughts

The Louisa Mae Alcott book I referred to in the cast was An Old Fashioned Girl. You know you can download books in the public domain (that volunteer readers have recorded) for free from Librivox, right? 
https://librivox.org/an-old-fashioned-girl-by-lousia-may-alcott/

Blue Skies Hat Sewing, Ideas for future hats and caps I hope and plan to make

I've got plans to take Wayne's 3 day workshops. Wayne Wichern's Millinery is in the San Francisco Bay Area. I took my first millinery class from Wayne. He also has a studio for more intense workshops and open labs. He's a wonderful man and teacher - http://meencantacoser.blogspot.com/2013/09/matters-millinery-making-my-own-hats.html

There's a pretty cloche-esque hat pattern in this magazine, which has a lot of other fun stuff as well.

http://www.interweavestore.com/the-unofficial-downton-abbey-sews

Technicos: Sewing and Showing My Bias (Cutting and Sewing Bias Strips) (Seam Finish and More)

How I make bias strips

1) After straightening the fabric. I fold it (so I get more strips). Then I lay it square along my cutting grid and draw a straight line that runs carefully through the 45 degree angle line. 

2) Then I lay a gridded ruler carefully and precisely along that line. I move the ruler up however many inches I want the width of my bias strip to be.

3) The farthest edges come out with a little triangular bulge. If it's important to have the print in the same direction, then I'll snip the two ends off after I seam these two together.

4) But if I don't care how the print comes out. I can match up the two ends, by flipping one strip the other way. After I sew that seam, I'll snip the ends off to the right of the seam line.

Technicos: Strip Strap Sewing With Ease (Spaghetti Straps - No Tube Turner Tool)

I have made spaghetti straps or fabric tubes using a standard tube turner tool. But I much prefer this technique. I may have learned about it originally, in a reader letter in Threads magazine, but I'm not sure. I just know I've made a lot of fabric tubes this way with very little fuss. However I don't hear about other sewists making them this way. 

Maybe you'll like doing them this way like I do. And you will never have to figure out where you last put your tube turner again:-)

Resources

Fabric - A strip somewhat longer than you actually need. It should be more than twice as wide as the tube/spaghetti strap you want. In fact, if X is the width of the desired strap and S is the amount of seam allowance you are going to use it should be 2X+S wide. 

For example - If I want a tube 1/2 and inch wide and I plan to sew a 5/8 inch seam allowance, then my fabric strip should be 1 and 5/8 inches wide, because (2 x 1/2) + 5/8 = 1 5/8

If I need a total of oh say, 72 inches of tubing, I would probably add another 5 inches just to be on the safe side. (That's very conservative). Because I will be cutting away some of the end of my tube. 

String or an old piece of bias tape, or cord or other stringy thing that won't break apart easily . I keep a roll of packaging string around, but even jute string works. Just make sure the string/cord doesn't get sewn over as you sew along the long edge.

Cut your string/cord longer than your fabric piece. Add five inches total to be really safe.

1) With RIGHT SIDES TOGETHER- Press the length of fabric  you are making into a tube or spaghetti strap, in half down the middle, going the long way.

2) Lay the string/cord down the middle, right up
against the fold and away from the raw edge.
Leave a tail of string/cord sticking out
on both ends
of your fabric.

3) Sew back and forth over one end of the folded piece
securing the string/cord really well. You are going to be
cutting away this end later on, so you don't care
what it looks like. Just make sure the cord can't come out down here.
Also, make sure you leave a little tail end of the cord
hanging out beyond this stitching line to be
absolutely sure the string/cord doesn't pull away.

4) Now, keeping the string/cord on the fold side,
 sew along the long end of your tube.
Don't catch the cord in your stitches!

Leave the second short end open when you finish this long line of stitching.

Make sure you have another tail end sticking out of the open end of your tube! That's the second short end, the one opposite the one you secured so well back in step 3.

5) Trim along in the seam allowance, close to your stitching line.
You don't want fabric in the way of next step.

6) Start pulling on the end of the string/cord tail that's sticking out of your open end.
As you pull the fabric will ruffle up.
That's good!

Push those ruffles back toward the secured end as you keep pulling. Just work them along. They'll be a little hesitant, but you be the boss!

At a certain point you will be able to push the first bit of ruffled up fabric
up and over the original
short end you secured.

7) Oh look what's coming through!
There is the nice little fabric tube you've been looking for.
The seam allowance is on the inside!!!!
Keep pulling until it's all out.

When you're done you'll have a long piece of string
hanging off the secured end. Cut that secured end off now.
You might be able to reuse the string/cord for another tube,
if that tube is a little shorter than this one :-)

Jeans Sewing: Skirting the Issue

My new amiga Colette,
is a big help when
it comes to creating a fitting muslin/toile
for the M6261 pattern.
Plus I get to use up this poplin for the fit garment.
I wonder what I thought I'd make out
of this when I bought it? :-)

I've blogged and podcasted before about my determination to  learn to sew jeans.

Until i had an actual project to sew, just doing sample sewing didn't motivate me enough, to work on my jeans sewing techniques. I sat down a couple of times this summer, and worked on denim flat-felled seams. Mostly what I learned is that when I stitch a heavy denim (11 oz), it's much more challenging to fell straight lines , than lighter weight cotton such as the ones i felled in my intermediate sewing construction class, or the scraps of 7 oz mid-weight denim, leftover from last summer's shorts and cap project. I fussed around thinking about different things to try,  and wondered if maybe I would even need a heavier duty machine, as was mentioned in a couple of different sewing forums.

I also thought a lot about simply getting straight lines of topstitching. I've located jeans needles and a variety of threads (topstitching and heavy for the seams) . In my sample sewing, I'd already run into tension issues. How could I expect to do the contrasting colored topstitching on pockets, waistband, and hems if I don't work that out?

And have I mentioned learning to install rivets and those special jeans buttons? I want to know how to do those too.

In addition to the challenges of jeans sewing skills, like flat-felling, and special embellishments, there's the whole issue of getting a jeans pattern to fit. Who among us doesn't find that a challenge?

I was determined to be really ready to sew jeans, but I was too intimidated to simply jump in and starting sewing them.

So how about a sewing project where i just sit down and work through some of the jeans techniques and special embellishments, as best as I can, but i don't actually sew jeans?

No I'm not talking about a cute cushion or a fetching tote bag, we're talking a denim jeans-style skirt. This skirt will still require fit-work too, which is a great opportunity to use my new dress form, Colette, whom I brought to life in summer school. Fitting a skirt to Collette, seems like less of a fit challenge than jeans (Colette isn't bi-forcated so I can't fully fit jeans on her, though she can help with some aspects).

M6361 is my idea of a good, basic
jeans-style skirt

I've chosen Palmer and Pletsch M6361, a  skirt and trouser pattern that suits my idea of what a jeans-skirt should look like. Here it is http://sewing.patternreview.com/patterns/47923

So far I spent about six hours fitting the skirt in this mid-weight teal blue poplin fabric, and several more hours cutting out the denim and getting going on my actual skirt. I've already realized that I'm not going to make real-true flat-fellled seams, but I'm still hoping I'll get a faux flat-felled look going. I'm relatively happy with the fit at this stage, though I haven't gotten far enough with the real skirt yet to be sure. I've also decided to wait to fit and cut out the curved waistband until I'm farther along with the project. So I'm crossing my fingers that I'll get a look and fit I"m happy with.

I'm really glad I'm getting going with my jeans sewing skills - even though I'm creating a different kind of garment. I'm looking forward to  blogging more about how the project goes.

Getting going with my jeans-sewing skills (and getting a skirt out of the deal!) keeps me enchanted by sewing!